Here are some resources if you are an engineer and plan on doing a session at Primary Sound
Lists are available as downloadable .pdfs below
-
You must have experience as a studio engineer and a strong knowledge of analog consoles, Pro Tools, patch bays, and general signal flow. You should be punctual, professional, and communicative. You are expected to arrive at the session before or with the ensemble. Arriving after the ensemble is not acceptable and you may lose the privilege of recording here. Your files and your data are your responsibility, you must back up data to your hard drive and neither you or the ensemble shall hold the studio accountable for data loss. You will be responsible for the safe operation of hundreds of thousands of dollars of equipment, and you and the ensemble you are working with will be jointly and separately responsible for damages or injury due to carelessness, negligence, or inexperience.
-
Sometimes mics get damaged, be sure to ask about specific mics you require
Dynamic Mics
(5) Shure sm57
(2) Shure sm58
(3) Sennheiser md421
(1) AKG D12
(1) AKG D12vr
(1) Beyerdynamic TGX50
(1) Shure Beta52
(1) EV RE20
(1) Shure SM7a
(1) Solomon SubKick
Condenser Mics
(2) Shure KSM44
(2) Austrian Audio OC18
(2) Neumann KM84
(2) Neumann KM184
(2) Sennheiser mkh800
(3) DPA 4007
(2) Rode NT55 with omni and cardioid capsules
(1) B.L.U.E. Mouse (original Latvian manufactured)
(1) AKG C33 stereo
(1) Neumann m147
(2) Warm Audio WA-251
(1) Groove Tubes GT66
(1) Groove Tubes MD-1A (currently damaged)
(1) Peluso 2247se (you must request in advance)
Ribbon Mics
(3) Coles 4038
(2) RCA BK11
(2) Beyerdynamic m160
(2) Royer R121
(2) Beyerdynamic m500
Direct Boxes and Other Mics
(2) Countryman Type 85
(2) Warm Audio WA-DI
(1) Radial J48
(1) Whirlwind IMP II
(1) Omnifex DI
(1) Radial JD7 DI/Reamp/Splitter
(1) Rode Wireless Go
-
Console:
SSL 4064E/G/Tangerine and Total Recall. 58 loaded channels.
Tape Machine:
Studer A80 mkIIVU 24 Tracks 2”
DAWs:
Pro Tools Ultimate (current)
Logic Pro (current)
Wavelab 10
Interfaces, AD/DAs:
Avid HD Native
Avid MADI I/O
Antelope Goliath (via MADI)
Antelope Orion (via MADI)
Control Surfaces:
Avid S1
Avid Control (iPad)
Novation Launchpad Mini
Monitors-Stereo:
ATC SCM45a (2), Yamaha NS10 (2)
Hearback Headphone System (2 hubs, 8+ mixers)
Shure SRH440 headphones (8)
Sennheiser HD202 headphones (25)
Monitors-Atmos:
Adam A7v (5), Adam A4v (4), JBL LSR 310s (2)
Preamps/EQs:
Brent Averill API 312 Vintage (8)
BAE 1073MPL (2)
JHS Colourbox 500 (2)
Warm Audio WA 273-EQ (2, 4 channels total)
Altec 1567a (2x1)
Ampex 350 (2)
Antelope Goliath (16)
Focusrite Octopre (2, 16 channels total)
Universal Audio 6176 (1)
EV EQ-231 Graphic EQ
Compressors:
Universal Audio 6176 (1)
Golden Age Project Comp2A (2)
dbx 160A (2)
Drawmer DL241 (1, 2 channels total)
Prototype 276 (stereo 1176-like, ask)
JoeMeek VC3
Altec 1592
Processors:
TC Electronic M2000
TC Electronic D-two
Klark-Teknik DN780
Other:
Zoom F8n
Tascam DR-60d mkII
Mackie 1202 mixer
Alesis Masterlink
Behringer HA-8000 Headphone Amplifier (2)
-
Drums
Early 70’s Slingerland with 13”, 14”, and 16” toms typically with Evans EC2 heads
Ludwig Supraphonic snare
Ludwig basic snare
Zildjian cymbals
DW3000 kick pedal
Misc. hand percussion
Keyboards
Mason & Hamlin 1926 Model A grand piano
Tack Piano
Hammond M3 and Leslie 147 and 122
Fender Rhodes
Wurlitzer Electric Piano
Toy piano
Estey Reed Organ
Guitars and Amps
Fender ’64 Princeton
Fender ’64 Champ
Celestion
Ampeg pf-20t bass amp
Fender Bandmaster 2x12 bass cabinet
Fender Precision Bass (2021 Player)
Northern “lawsuit” telecaster
Acoustic guitars come and go…
High Strung or “Nashville” strung acoustic
Mandolin
-
All Soundtoys
Waves
• Horizon+Restoration+Saphira+NLS
• Scheps Omni Channel
• EMI TG12345
• CLA MixHub
• CLA76
• CLA2A
• InPhase
Melodyne (current)
AutoTune Pro
Izotope Music Production Suite
Slate Trigger 2
Toontrack Superior Drummer
Toontrack EZ Bass
Relab LX480 Complete
Gauge Lush
Audiomovers Listento
TAI Mothership (for SSL)
Ask about/request others
-
-
-
-
-
Click on the link to download these useful lists and files
Note that equipment sometimes is out for rental or repair, particularly microphones, so be sure to check if you have a specific mic you plan on using
Tracking on the SSL
Watch an overview of the various ways you might perform initial tracking.
Overdubbing on the SSL
Learn about Ready Group, Ready Tape, and “Triangle Mode” (aka Record+Mix+VCA to Mons). See how SuperCue can give you the overdubbing possibilities you always wanted.
Mixing on the SSL
The SSL shines brightest as the most used mixing console in the history of music. See methods on how you might set up the routing at or prior to the session to maximize efficiency. Learn how to use the Tangerine Automation Interface to give the SSL VCA automation the ease and power of Pro Tools automation. Watch how easy it is to store the position of every knob and switch using Total Recall.